LOUIS ANDRIESSEN HOUT PDF

Early Andriessen works are serial, but by he was working with graphic notation, as in the piano piece Registers, using a Read more combination of fixed and non-fixed elements to facilitate improvisation. In , Andriessen swore off writing music for standard symphonic ensembles for good, a decision that was to profoundly impact his development. For a time, he worked in electronic music; his first venture into theater on his own with Il Principe. De Staat earned Andriessen the coveted Kees van Baaren Prize, and since then he has garnered numerous awards, citations, and commissions. Andriessen also composes music designed to challenge the talents of specific performers; Forget-Me-Not requires an oboist to also play piano, and in TAO there is a part for a pianist who speaks and also plays the koto. Andriessen is regarded to some extent as an ensemble builder; Orkest de Volharding is a group he formed to play the same-named Andriessen work, and the ensemble came together afterward to program and commission other repertoire.

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Although the whole work is in principle a strict canon, the successive voices are so close together that it is more like a unison melody with ramifications.

Ramifications and branches are the same word in Dutch. This especially refers to the branches of a tree, so the use of wooden instruments - marimba and woodblocks - help explain the title of the work. Louis Andriessen NL Louis Andriessen was born in Utrecht in into a musical family: his father Hendrik, and his brother Jurriaan were established composers in their own right. Andriessen studied with his father and Kees van Baaren at the Hague Conservatory, and between and undertook further studies in Milan and Berlin with Luciano Berio.

Since he has combined teaching with his work as a composer and pianist. He is now widely regarded as the leading composer working in the Netherlands today and is a central figure in the international new music scene. From a background of jazz and avant-garde composition, Andriessen has evolved a style employing elemental harmonic, melodic and rhythmic materials, heard in totally distinctive instrumentation.

His acknowledged admiration for Stravinsky is illustrated by a parallel vigour, clarity of expression, and acute ear for colour.

He has tackled complex creative issues, exploring the relation between music and politics in De Staat, the nature of time and velocity in De Tijd and De Snelheid, and questions of mortality in Trilogy of the Last Day. Collaborative works with other artists include a series of dance projects, the full length theatre piece De Materie created with Robert Wilson for the Netherlands Opera, and three works created with Peter Greenaway.

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LOUIS ANDRIESSEN HOUT PDF

De Stijl final section. There was a sense that he andrlessen finding himself. And most important, he knows how to weave the seed of an idea into music almost seamlessly, which gives the work its urgency. Louis Andriessen Show more Show less.

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Louis Andriessen

Although the whole work is in principle a strict canon, the successive voices are so close together that it is more like a unison melody with ramifications. Ramifications and branches are the same word in Dutch. This especially refers to the branches of a tree, so the use of wooden instruments - marimba and woodblocks - help explain the title of the work. Louis Andriessen NL Louis Andriessen was born in Utrecht in into a musical family: his father Hendrik, and his brother Jurriaan were established composers in their own right. Andriessen studied with his father and Kees van Baaren at the Hague Conservatory, and between and undertook further studies in Milan and Berlin with Luciano Berio.

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